Picture the version of this story that is the film and here the editor cuts from an extreme close shot of the flint’s flicker to an impossible wide shot of the space as the camera is held high on high and looking down as if from a celestial point of view.

There is no next cut and this wide shot remains in place. We begin to read the darkness as an apocalyptic one, ceremental in the way in which it covers everything with its cling from the grave.

Published by Barnaby Taylor

Barnaby Taylor is a multi-talented author and artist whose work spans a range of genres, including fiction, non-fiction, and experimental film. He is best known for his writing guide How to Write Something and the popular VIRO series, both of which showcase his passion for storytelling and his gift for engaging and informative writing. In addition to his writing career, Taylor is also an avid enthusiast of artificial intelligence, 1950s Japanese cinema, gaming, and rare soul music. When he's not writing or making films, Taylor can be found exploring new technologies, immersing himself in his favourite hobbies, and spending time with his loved ones. View all posts by Barnaby Taylor

Bara Cailín 4: 11 ‘ceremental’

Picture the version of this story that is the film and here the editor cuts from an extreme close shot of the flint’s flicker to an impossible wide shot of the space as the camera is held high on high and looking down as if from a celestial point of view.

There is no next cut and this wide shot remains in place. We begin to read the darkness as an apocalyptic one, ceremental in the way in which it covers everything with its cling from the grave.

Published by Barnaby Taylor

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Bara Cailín 4: 11 ‘ceremental’

Picture the version of this story that is the film and here the editor cuts from an extreme close shot of the flint’s flicker to an impossible wide shot of the space as the camera is held high on high and looking down as if from a celestial point of view.

There is no next cut and this wide shot remains in place. We begin to read the darkness as an apocalyptic one, ceremental in the way in which it covers everything with its cling from the grave.

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Published by Barnaby Taylor

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