Category: Fiction
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The Lily and the Dying Bird
The lily is a favored organism
for the cytological examination
of
meiosis
since when a form
is taken on involuntarily,
the morphological stage of meiosis can be easily for eternity.
When people speak
to one another,
they apply their knowledge of social accessibility,
manipulation,
genetics,
conservation of mechanisms,
and potential.
Due to the large number of precise
replications,
robots are changing into the form
of the dying bird
that it is, in fact,
widely used to perform the colony manipulations.
When researchers
look for an organism
to use in their
confinement
and restraint;
the person is bound to the new form.
Among these are size,
generation,
time,
despair,
so to be in this level one understands
the permanence
of the despair.
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Small lithe limbs passing smoothly over the balustrade as Crowjar slips unseen onto the sloping roof>upwards in the shadow as the city lays deep in a midnight dream>each window Crowjar passes is an invitation into the lives of the people sleeping but she has no time now>no time at all>if she had the time Crowjar would like to watch and wonder what it was that people worried about in their sleep>but she is late and has to hurry> -

The Entry Word (Barnaby Taylor, 2016)
Starting tomorrow …
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Morning Everyone
I thought I would post a brief update on where we are and where we are going. A brand-new serial adventure called The Entry Word begins on this blog on Wednesday 31st August and just to keep things varied and lively episodes will be published weekly instead of daily.The Entry Word tells the story of what happens when the world makes a single catastrophic error. I don’t have too much more to say about the project other than to suggest that the work is in its early stages and I look forward to seeing how it develops over the coming weeks.
Thanks for listening,
Barnaby
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One of my research interests for the last few years has been audiovisual ephemera – the sights and sounds that used to be used to fill in spaces that appeared in TV and cinema schedules. 1968’s Divertimento is a perfect example of this form and I have added it here for your delight and delectation.
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By way of further news on progress so far with The Brothers Revoltable Travelling Circus and Other Crazy Fun with Special Guests (Volume II of the Falcon Boy series) I thought I would give you an update on the future of Pearly Stockwell.
As many of you will know Pearly Stockwell is a child detective who makes her debut appearance in Falcon Boy and Bewilder Bird versus Dr Don’t Know in a Battle for all the Life of all the Planets (Volume I). Together with the Interesting Twins, Pearly manages to solve every case she applies her big city ways to. If you want to catch up with her adventures to date then please feel free to follow the links HERE (US) and HERE (UK).
However, as the following excerpt indicates, the future for Pearly Stockwell is as insecure as it is for the rest of us.
The Brothers Revoltable Travelling Circus and Other Crazy Fun with Special Guests (excerpt)
IT Publishing, the company behind the Pearly Stockwell and the Interesting Twins Wonder Detective Comic Book Super Series which begat the Pearly Stockwell and the Interesting Twins Detective Comic Audiobook Series ceased trading a while ago and everything related to the series is now little more than the occasional question at a very dull public quiz for people who are very dull.
The final ever episode in the series, Pearly Stockwell Finally Realizes How Cruel the World of Contemporary Publishing Really Can Be opens with our eponymous heroine bemoaning the state of contemporary publishing, a subject which, and even despite her big city ways, Pearly had never shown any interest in up until this final episode.
‘Our time has come, boys,’ says Pearly to the Interesting Twins. ‘Even before our time has really come.’
Pearly plants her feet and stares defiantly into space reads the caption.
‘I should think that the people making these short-sighted decisions really don’t know us at all!’ she snorts. ‘In fact, what do they know about anything anyway?’
Wes is really angry.
‘I’m gonna grab them and box them and fight them until they beg me to stop,’ he exclaims forcefully. ‘And even when they do beg me to stop I ain’t gonna stop for nothing or no-one not never!’
Pearly smiles at her loyal friend.
‘You’ve been a loyal friend for all of these adventures,’ she says kindly, ‘and we are all really going to miss your overly aggressive, small-minded and yet sometimes effective ways.’
‘Say the word, Pearly,’ says little Windy with a big tear in his small eye. ‘Say the word and I will run for you like I always do.’
‘But where will you run?’ replies Pearly. ‘The people making these decisions have made it very plain that there is nowhere left for you to run to and no-one would be there even if you ever arrived.’
‘But there must be something we can do,’ says the eviction notice Pearly had thrown angrily onto the desk. ‘We can’t just let them shut us down.’
‘You are right, as always, my fine, wise Wanderley,’ says Pearly sadly, ‘but not even your alarmingly outrageous propensity for disguising yourself in the most unlikely but nevertheless convenient disguises is going to make any difference here.’
Pearly looks directly out the frame.
‘The only thing that can save us all is if someone decided to continue our adventures as a small, independent online venture, perhaps using a free online publishing platform.’
Pearly shakes her head ruefully.
‘But that will take an awful lot of effort to keep writing our adventures, publishing our adventures, promoting our adventures and trying to get people to read our adventures knowing full well that a thankless venture like this will only ever be a tiny digital drop in the vast and thankless virtual ocean.’
Again, Pearly looks straight out of the frame of the comic.
‘Does anyone know how hard it is nowadays to even get someone to visit your site let alone stay long enough to read something?’
THE END FOREVER MORE? reads the final caption.
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As everyone knows, the Pearly Stockwell adventure series was published by IT Comics and in their early days the company really struggled. Pearly and the Missing Magic Ring was a desperately misguided attempt to reach a wider audience with the Pearly Stockwell series.
Without even the slightest hint of professional shame, Pearly is ‘allowed’ to discover a magical kingdom while clearing out one of her wardrobes. Never one to refuse a challenge, Pearly sets off to see what she can find.
Unsurprisingly, Pearly finds a world gripped by a struggle between the forces of good and evil. Grimdulf Gloompants leads the good guys. He is a long-bearded wizard who rides a giant talking lion. A one-eyed witch called Sharon is in charge of the bad guys.
As the plot thickens, Pearly and the Interesting Twins are asked to deliver an important message to someone important quite far away. On the way, they are captured by a gang of nasty Noblins and imprisoned.
Everyone manages to escape but Pearly gets separated and begins to wander lost in an underground network of caves.
Even loyal readers of the comic book series found it hard not to consider cancelling their subscription at the moment that Pearly stumbles upon a ring and, without thinking, puts it in her pocket.
Unbeknown to her, the ring is the property of a pathetic-looking creature called Gallop who manages to trap Pearly in his dank, dismal, fish-stinking lair.
‘You have something that is very precious to me,’ says the pathetic-looking Gallop to Pearly, without even a faint glimmer of irony. ‘It is mine, it is.’
‘Is it?’ replies Pearly quick-wittedly, stunning the pathetic creature with the authority in her voice. ‘How precious exactly?’
Gallop isn’t sure what to say.
‘Very precious,’ he ventures, ‘very precious, indeed.’
But Pearly has the upper hand now and probes the pathetic creature further with her penetrating questions.
‘Just how precious?’
‘Very!’
‘How precious is very precious?’
‘Very, very!’
‘But is that precious enough?’
‘I don’t know.’
‘Why don’t you know? I thought you said it was precious?’
‘I did!’
‘Then why don’t you know?’
‘I do! I do! I do!’
Gallop gets very angry and it is at this point that Pearly knows she has him.
‘You don’t know, do you?’ she says.
‘No,’ says the pathetic-looking creature pathetically.
‘I’m going now,’ says Pearly firmly. ‘Don’t try and follow me.’
Gallop says nothing. He sits snivelling on a slimy rock. Pearly leaves to find her friends and continue the great adventure.
It was only by sacking the writing team, promising faithfully to never ever do anything like this again (and also offering a year’s free subscription to every reader) that IT Comics survived the fallout from Pearly and the Missing Magic Ring.
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Now in its twelfth season, the premise of Paint Tales is a simple one: a single tin of paint is followed from the factory where it is made to the place where it is used, via the shop where it is sold.For enthusiasts of the programme, the joy of the journey is immense and somehow almost immeasurable. As a result, Paint Tales has now become a global, if somewhat esoteric, phenomenon. Discovering that the tin of paint you thought was going to be used as a humble undercoat turns out instead to be the final flourish of a ceiling in a converted bathroom can be close to life-changing for aficionados of the programme.
For anyone else, the premise of the programme is almost as disturbing as actually watching an episode and both the existence and continuance of Paint Tales has become a major topic of cultural debate. For some it is the ultimate guilty pleasure, for others it is the producers who should be feeling guilty.
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Many media experts believed that Concrete Superstar was going to be the next big thing in format television but the programme only ran for a single season. As a result, the five episodes that do exist have achieved cult status.Each week, Concrete Superstar challenged three celebrities to lay the perfect concrete patio. Aided by experts, a whole range of stars of stage, screen (both big and small), music and anywhere else mixed, shovelled, poured, levelled, screed, bull-floated, hand-floated, rounded (if required), cut-in, and broomed their concrete in a race against both the clock and the other contestants.
The locations chosen were both indoor and outdoor and for the second season, it had been proposed that the programme go to different locations around the world so that factors like local building customs, union regulations and temperature extremes could be brought into play. Sadly, however, this was never to be.
Many people (but sadly, as it turns out, ultimately not enough many people), found Concrete Superstar really exciting because you could never really tell which one of the chosen celebrities would be the best at pouring concrete just by looking.
For example, who could have known that Dame Circular Rosetwine, opera singer and biscuit entrepreneur, would beat upper body muscle model and self-confessed DIY enthusiast Flint Roland in the first episode?
‘I thought I had it in the bag,’ said Flint afterwards, ‘until one of the production crew told me that I had poured the concrete upside down. It wasn’t until I had ripped everything out and started again that I realised they had been pulling my leg.’
In the second episode, renowned aristocratic bad-boy ventriloquist Sheridan Shaw and his foul-breathed puffer fish puppet, Puff the Puffer Fish, lost out to one-time pop sensation Dorothy Sister, lead singer of the reasonably-famous (and reasonably-named) Dorothy Sisters.
Puff the Puffer Fish refused to cooperate during the aggregate mixing phase and allowed Dorothy Sister to win by a technical default, even though she had managed to bury one of her high heels beneath a crazy-paving slab.

